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Elizabethan Pork Stew

Home FoodElizabethan Pork Stew

Elizabethan Pork Stew

November 4, 2026 Posted by Norman Mathews Food No Comments

Looking for a different, unusual stew? Try Elizabethan Pork Stew. In the Elizabethan era (1558-1603), meat, because of the lack of refrigeration, was often on the verge of spoiling. To mask the disagreeable flavor, people added fruits and spices to their stews.

In this recipe, I use of combination of dried apricots and currants, with fresh apples, and citrus. The result is a slightly sweetened—but not too sweet—stew, which is complementary to the pork. And of course, today we are not trying to mask the taste of spoiled meat, but rather enhancing it with the addition of the fruits and spices. For an article on Elizabethan cooking, click here.

Other stew recipes: Beef Stew; Duck Legs in Red Wine.

To Jump to the Recipe, Click Here.

For the Dry Marinade

Mix all ingredients except for the juniper berries in a mortar or small bowl. Add the juniper berries and crush them with a pestle, or crush them first with a rolling pin, then add them to the other spices.

Mixing the marinade.

Mix the marinade.

Using a marinade is optional, but I can tell you that it both tenderizes and accentuates the taste of the pork.

For the Stew

Trim any fat from the pork shoulder, and cut it into 1⁄2-inch cubes. Place the cubes in a large bowl. Add the dry marinade ingredients, and mix with your hands until all the cubes are fully coated.

Coating the meat with marinade.

Coat the meat with marinade.

Cover with plastic wrap. Place the bowl in the refrigerator overnight, and turn the meat several times. If you have only a few hours to marinate, leave it out of the refrigerator, turning the meat several times.

Dredge the meat in the flour.

Flouring the meat.

Flour the meat.

Shake off any excess flour. I like to do this in a sieve.

Sifting off excess flour.

Sift off excess flour.

Heat the oil in a large Dutch oven and sauté the meat in batches until it is lightly browned.

Browning the meat.

Brown the meat.

Remove the browned meat to a large bowl.

Chop the onions and dice the celery. Lightly brown them in the same Dutch oven, adding more oil only if necessary.

Cooking the vegetables.

Cook the vegetables.

Return the meat to the Dutch oven. Add the red wine, bring all to the boil, and boil for 2-3-minutes. Lower the heat to a simmer.

Peel the apple, and coarsely chop it, as well as the apricots, and add them to the Dutch oven.

Adding the apple and apricots.

Add the apple and apricots.

Zest and juice the lemon and 1 orange, and add all of it to the Dutch oven.

Zesting and juicing the citrus.

Zest and juice the citrus.

Stir in the honey, 1 cup of the beef broth, bay leaf, marjoram, thyme, mace, crushed garlic cloves, salt and pepper to taste.

Bring the Elizabethan Pork Stew back to the simmer.

Simmeingr the stew.

Simmer the stew.

Cover the Dutch oven, and simmer it for about 3 hours, stirring occasionally. Watch the stew carefully because you may need to add more of the beef broth to keep it from burning or becoming dry.

Peel and segment the remaining two oranges.

Allow the stew to cool, then run paper towels along the top to remove any fat that has risen. Reheat the stew to a simmer and taste to adjust the seasoning. Remove the bay leaf and any whole garlic cloves.

Serve the Elizabethan Pork Stew, topping each serving with the orange segments.

Serving the stew.

To Download or Print the Full Recipe, Click Here.

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Tags: Ancient RecipesElizabethan PorkEnglish DishesMeat With Fruit DishesPork StewStews
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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
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The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

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