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Orange-Banana Bavarian Cream

Home FoodOrange-Banana Bavarian Cream

Orange-Banana Bavarian Cream

August 16, 2022 Posted by Norman Mathews Food

As a youngster, I was very finicky. I would eat nothing from the school cafeteria except a custard pie and a sweetened orange and banana compote. My mother was thus unfairly forced to make my lunches every day. Those two cafeteria desserts, however, lived on fondly in my memory, and I needed to find a way to reinvent them to my more mature tastes. The custard pie evolved into my Eggnog Pie (recipe here).  As much as I liked the compote, I believed that I could turn the idea into a more interesting new dessert, hence this Orange-Banana Bavarian Cream.

Grate the zest of 2 large oranges into a pot with 1 1/4 cups of milk, and set aside.

Putting the zest in the milk adds orange flavor.

Zest the oranges into the milk.

Squeeze the the juice from those 2 oranges and strain it. It should yield 1⁄2 to 3⁄4 cup of juice. Sprinkle the gelatin over the juice, and set aside.

Carefully remove the skin, including all the pith, from a third large orange. With a sharp knife carefully remove the orange segments, leaving behind the membranes.

removing the pith elimates bitterness.

Remove the orange pith.

Sprinkle the segments with 2 tablespoons of sugar and 1 tablespoon Grand Marnier. Set aside.

marinating the segment in sugar and Grand Marnier increases the flavor.

Sugar the orange segments.

In a heavy-bottomed pan, beat the egg yolks with a whisk, and gradually beat in the 3⁄4 cup of sugar until the mixture is pale yellow. You may need to adjust the amount of sugar, depending on the sweetness of your oranges.

Beat the egg yolks and sugar.

Continue beating until the mixture forms a slowly dissolving ribbon. Beat in the cornstarch.

Beating until ribbon forms ensures that the custard is thick enough.

Beat to form a ribbon.

Heat the milk with the reserved orange zest until boiling. Strain the milk to remove the zest.

Strain out the zest. You don't want it in the cream.

Strain the zest from the milk.

Quickly begin whisking the hot milk in a thin stream into the egg yolks. Set over moderate heat, stirring constantly with a wooden spoon, until the mixture reaches 170° or until it coats a spoon lightly. Don’t overheat or the eggs will scramble.

important to cook to the right temperature to ensure molding

Heat until it coats a spoon.

Remove from the heat, and beat in the orange juice and gelatin mixture. Continue to beat until the gelatin is completely dissolved. Scrape the mixture into a bowl and set in a larger bowl of ice. Stir occasionally until the mixture is cool, but do not allow it to set.

mixture must be cool before adding whipped cream

Chill the mixture.

In the meantime, beat the heavy cream in a chilled bowl until medium peaks are formed. Beat 2 tablespoons of Grand Marnier into the orange mixture, then gently fold in the whipped cream. Traditional Bavarian creams (such as Julia Child’s famous recipe) also use beaten egg white, but I did not want to dilute the orange flavor that much.

Fold in the whipped cream.

Slice the bananas, and sprinkle with drops of lemon juice to keep them from discoloring.

Rinse a metal ring mold or other mold in cold water, and shake out the excess. Spoon half of the Bavarian cream into the mold. Layer both the bananas and the orange segments on top of the cream.

Arrange the fruit over half the cream.

Finally, spoon the remaining Bavarian cream on the top of the fruit.

Spoon on the remaining cream.

Cover with plastic wrap and refrigerate for several hours or overnight.

To unmold the orange-banana Bavarian cream, dip the mold into hot water for a couple seconds. Run a sharp knife around the edges, and reverse on a chilled serving platter. The dessert can be unmolded several hours before serving and kept in the refrigerator.

how to decorate the orange-banana bavarian cream

Decorate the Orange-Banana Bavarian Cream with orange slices and mint.

To print or download the Orange-Banana Bavarian Cream recipe, click here.

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
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The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

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