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Norman Mathews

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Open-Faced Hot Pork Sandwiches

Home FoodOpen-Faced Hot Pork Sandwiches

Open-Faced Hot Pork Sandwiches

December 10, 2018 Posted by Norman Mathews Food

My mother’s recipe for Open-Faced Hot Pork Sandwiches has become one of my favorite wintertime comfort foods. Although many cuts of pork could be used to make this dish,  her method always used thin-cut pork chops, barely more than one-quarter-inch thick. I find that most pork chop recipes tend to be extraordinarily dry. This version, however, has several ameliorating qualities that guard against dryness: lightly browned chops; slow braising; and capacious amounts of deep-flavored gravy.

Most butchers will cut your chops to the specified thickness upon request. Be sure to use bone-in chops because the bones are what give body and flavor to your gravy. It’s particularly important to use a high-quality homemade or bakery white sandwich bread. Commercial packaged breads lead to a soggy and unpalatable mess. Mashed potatoes and a green vegetable make the perfect accompaniments to this dish.

Dry the pork chops thoroughly with paper towels, so they will brown properly. In a heavy Dutch oven, brown the pork chops lightly on both sides a few at a time in the vegetable oil.

Browning the chops.

Brown the chops.

Remove to a side dish.

Return the chops to the gravy.

Remove the chops to a dish.

Lightly brown the chopped onion, carrot, and celery. Return the pork chops to the pot and add enough beef stock to barely cover them. Bring to a simmer on top of the stove. Add in the rosemary, thyme, bay leaf, salt, and pepper.

Add stock and vegetables.

Add stock and vegetables.

Cover the pot and place in a 300° degree oven. Braise for 2½ to 3 hours, until the pork chops seem very tender and the bones are beginning to fall off. During the braising, rearrange the chops occasionally so that some are always submerged in the broth. If the liquid evaporates too much, add extra stock. Remove from the oven. Remove the chops from the braising liquid and when cool enough to handle carefully extract the bones from the meat, keeping the meat intact as much as possible. Be sure to get all the small bones out.

Strain the braising liquid through a sieve, into a saucepan, pressing down on the vegetables and herbs to extract as much flavor as possible. Discard the vegetables and herbs.

Strain the vegetables from the liquid.

Strain the vegetables from the liquid.

Allow the braising liquid to cool, and skim off as much of the fat from liquid as possible, saving the fat. You should have enough braising liquid to make more than 4 cups. In the saucepan reduce, the liquid to 4 cups to intensify the flavor. In the same Dutch oven, place the reserved pork fat. You need at least ¼ cup of pork fat. If you are short, add enough butter to equal that amount. In the meantime bring the braising liquid to the simmer. Bring the pork fat and any added butter to a sizzle in the Dutch oven. Whisk in the flour and continue to cook, whisking constantly until the flour begins to turn a caramel brown. Pour on the simmering braising liquid and continue to whisk until smooth. Stir in the Maggi seasoning to add a deeper color. If the gravy seems too thin, boil until it thickens; if too thick, thin it out with a little extra stock. Season well with salt and pepper. Return the chops to the gravy.

Add chops to the gravy.

Add chops to the gravy.

To serve, cut 6 slices of bread diagonally and place on plates. Spoon a portion of mashed potatoes between the halved bread slices. Top slices of bread with a pork chop, plus any broken pieces of meat. Spoon a generous portion of gravy over the sandwiches and the
mashed potatoes. Serves 6.

To print or download recipe, click here.

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Tags: Braised PorkComfort FoodOpen-Faced SandwichPork and Gravy SandwichPork SandwichTender Pork Chops
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About Norman Mathews

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Norman Mathews has contributed 175 entries to our website, so far.View entries by Norman Mathews

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
In the end, it effectively celebrates a life of artistic inspiration alongside the giddiness and glory of live theater.”

—Kirkus Review

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by Asher Syed

The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

—Midwest Book Review

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BOOK CORRECTION: In my autobiography on page 152, I state that Carolyn Morris died in a motorcycle accident. I learned from her daughter-in-law that though she was severely injured she did not die. She is still living in Rutland, Vermont.

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