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Farfalle Nerano

Home FoodFarfalle Nerano

Farfalle Nerano

September 21, 2026 Posted by Norman Mathews Food No Comments

Farfalle Nerano is my take on the ever-popular Spaghetti Nerano, which has gained so much acclaim because of actor Stanley Tucci. I chose to make my version with farfalle because its ridges and crevices make it ideal for capturing the sauce. Other significant differences from the original recipe include a bit of lemon juice for brightness, a pinch of dried chili peppers for zest, as well as differences in the cooking method.

Other of my vegetable pasta dishes: Tomatoes, Eggplant and Basil Pasta; Pasta With Lentil Sauce.

To Jump to the Recipe, Click Here.

It’s best to use small zucchini since they are sweeter and have fewer seeds. In this case, I found miniature zucchini at my farmers’ market, so I needed to double the quantity.

Choosing small zucchini.

Choose small zucchini.

Trim off both ends of the zucchini. Cut them into thin slices, and dry on paper towels so they brown better.

Slicing and drying the zucchini.

Slice and dry the zucchini.

Pour the olive oil into a large skillet and heat the oil to medium. Deep frying the zucchini is more traditional, but I find this unnecessary. Add the dried zucchini slices in one layer, frying until golden on one side, then flipping to brown the other side.

Frying the zucchini.

Fry the zucchini.

Remove the slices with a slotted spatula onto paper towels to drain. Lightly salt and pepper the slices. If all the slices don’t fit in one layer in your skillet, fry them in batches. Many recipes recommend refrigerating the fried zucchini with basil leaves for a day. I skipped this step, though it’s a good way to do some of the cooking ahead.

Mince the garlic cloves. Using the same skillet and the olive oil that remains in the pan, cook the minced garlic and chili peppers on very low heat, until the garlic is fragrant, but not the least brown.

Meanwhile, bring a large kettle of salted water to boil. Add the farfalle, and cook one minute short of the recommended time for al dente.

While the pasta is cooking, transfer 1⁄4 of the fried zucchini slices to the pan with the garlic. Using either a potato masher or the back of spoon, mash the zucchini into the hot garlic over low heat.

Mashing the zucchini.

Mash the zucchini.

You will not be able to get the squash completely mashed. This step intensifies the zucchini flavor and helps produce a creamier sauce. Stir in the lemon juice. Tear the basil leaves, and stir them into the mashed zucchini. 

When the pasta is done, reserve at least one cup of the water before draining the pasta.

Add the remaining zucchini slices to the pan, along with the drained farfalle still over low heat. Moisten it with a bit of pasta water. Turn off the heat.

The usual cheese for pasta Nerano is Provolone del Monaco, which is unfortunately very difficult to find outside Italy. I use a mixture of Parmigiano and Auricchio Provolone. Do not use American-style fresh provolone. If you can’t find Auricchio Provolone substitute Pecorino Romano.

As soon as you have added the zucchini slices and farfalle to the pan, begin stirring in the grated cheeses and enough extra pasta water until you’ve  created an almost creamy sauce.  Taste the pasta for salt and pepper.

Serve the Farfalle Nerano in bowls, passing around extra grated cheese. Serves 2 or 3.

To Download or Print the Full Farfalle Nerano Recipe, Click Here.

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
In the end, it effectively celebrates a life of artistic inspiration alongside the giddiness and glory of live theater.”

—Kirkus Review

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by Asher Syed

The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

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BOOK CORRECTION: In my autobiography on page 152, I state that Carolyn Morris died in a motorcycle accident. I learned from her daughter-in-law that though she was severely injured she did not die. She is still living in Rutland, Vermont.

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