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Norman Mathews

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Caramel-Butterscotch Pudding

Home FoodCaramel-Butterscotch Pudding

Caramel-Butterscotch Pudding

October 13, 2020 Posted by Norman Mathews Food

I love butterscotch pudding, but all the recipes I’ve encountered seem insipid, lacking in both flavor and character. I began experimenting and discovered that by adding a deep-colored caramel to the mixture I got the complex flavor I sought out. The result: caramel-butterscotch pudding.

What is the difference between caramel and butterscotch, you may ask? Taste-wise they are very similar. In general, caramel is made with white sugar, while butterscotch is made with brown sugar. However, even this definition is murky and doesn’t hold true in all cases. For example, caramel icings are generally made with brown sugar.

Anyway, here’s the result of combining the two in a creamy and rich pudding.

This pudding works best if made in a double boiler. In the top of the boiler blend together, with a whisk, cornstarch, flour, and salt. The mixing of both flour and cornstarch ensures thickening and elicits a more velvety, refined texture. Gradually, whisk in cold milk and beat until smooth. Set aside.

Cornstarch, flour, salt, and milk mixture.

In another saucepan, boil the brown sugar (I use dark brown for a more intense flavor) and water. Add milk and cream, and bring back to the boil. Remove from the heat, and let it sit until room temperature.

Boil brown sugar, water, milk, and cream.

In another small, heavy saucepan, combine the white sugar and water. Place over medium-high heat and boil until the mixture becomes a light caramel color.

The light caramel stage.

Continue to boil until the mixture begins to darken. Remove from heat before it turns mahogany-colored. The caramel will continue to darken even off the heat. If it reaches mahogany on the heat it will darken too much and impart a bitter taste to your pudding. If this should accidentally happen (and it has happened to me), use only a small amount of the caramel in the final mix.

The dark, pre-mahogany stage.

Averting your face to avoid painful splattering, beat in the heavy cream with a whisk, and set aside to cool.

Beat the brown-sugar mixture into the cornstarch-flour mixture in the top of your double boiler. Then beat in the caramel mixture. Bring the lower part of the double boiler to a fast simmer, and place the upper part over the water. Cover and cook, untouched, for 8-10 minutes until thickened . Remove the cover.

Beat the egg yolks and gradually beat in about a cup of the hot mixture into the yolks. If you pour in too much hot mixture too quickly, the egg yolks with scramble. When well blended add a little more hot mixture, then pour it all back into the top of the double boiler and cook for 3-5 minutes, carefully watching so the yolks don’t curdle. If they do, you can save the mixture by forcing it through a sieve.

Combined mixtures.

When the pudding is thickened, pour into a bowl and gently beat in the unsalted butter a tablespoon at a time. Then stir in the vanilla. Gently stir every few minutes to keep the mixture from forming a skin. When it reaches room temperature, press plastic wrap onto the mixture and refrigerate until fully set.

Serve with whipped cream.

To print the recipe, click here.

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Norman Mathews has contributed 175 entries to our website, so far.View entries by Norman Mathews

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
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The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

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BOOK CORRECTION: In my autobiography on page 152, I state that Carolyn Morris died in a motorcycle accident. I learned from her daughter-in-law that though she was severely injured she did not die. She is still living in Rutland, Vermont.

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