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Budget Beef Stroganoff

Home FoodBudget Beef Stroganoff

Budget Beef Stroganoff

July 21, 2022 Posted by Norman Mathews Food

Classic Beef Stroganoff recipes call for using only the finest cuts of beef, preferably filet of beef. In these high-inflationary days, such cuts have become prohibitively expensive for many of us. Thus, my Budget Beef Stroganoff. For an uncertain history of the dish, click here.

I’ve found that by taking certain precautions, you can substitute flank steak for filet of beef and still attain very fine results. Most flank steaks are fairly reasonably priced, and one steak weighs in at about two pounds. Flank steak is nicely marbled so it remains juicy. The first step is to trim any excess fat from the steak. Then cut the steak across the grain into about 3/8-inch slices.

Slice the steak across the grain.

Dry the slices on paper towels so that they will brown better. Lightly oil a baking sheet (to prevent the slices of sticking to it), and spread the slices on the sheet.

Freeze the slices on a baking sheet.

Then freeze the slices for about one-half hour. Although this freezing is an optional step, it allows you to brown the slices nicely while retaining a juicy, pink interior. If you prefer well-done and tougher meat, you can omit this step.

While the steak is freezing, slice a pound of mushrooms and mince some shallots. Heat 2 tablespoons each of butter and olive oil in a large pan until very hot. When the butter foam subsides, sauté the mushrooms, stirring frequently. You should do this in batches because crowding the pan will create too much liquid and prevent the mushrooms from browning nicely.

Sauté the mushrooms.

When the mushrooms are nearly browned and any liquid has evaporated, add the minced shallots, cooking for just a minute or so. Scrape the mushrooms into a bowl, and season with salt and pepper.

Cook the shallots for a minute.

Remove the steak slices from the freezer. In the same pan, heat another 2 tablespoons each of butter and olive oil. When very hot add the steak slices (again in batches so they brown better). Sauté quickly on one side. You want the meat to just brown. Over cooking will toughen it and dry it out.

Brown the slices on one side.

Then flip and brown the other side.

Quickly brown the other side.

Remove the pan fro the heat and sprinkle the browned slices with paprika, turning them to coat thoroughly. Lightly salt, and remove the slices to a large plate.

Return the pan to the stove over high heat. Add Madeira or sherry, cognac, lemon juice, and beef stock. Boil the liquids scraping up any browned steak bits from the bottom of the pan. Some recipes use Dijon mustard, which I have eliminated. If you wish, you could substitute 1 tablespoon for the lemon juice.

Add all the liquids to the pan.

Continue boiling until the liquids are reduced to an almost syrupy consistency. Without the reduction, the sauce will be thin and watery.

Reduce the liquids until syrupy.

Turn of the heat, and whisk in  the sour cream until well blended.

Blend in the sour cream.

Turn the heat back on to very low.  If the heat is too high, the sour cream will curdle. Stir the steak slices and the mushroom into the sauce, just to coat thoroughly and rewarm. Taste for salt and pepper.

Add the steak and mushrooms.

Coat the steak and mushrooms with the sauce.

Serve Budget Beef Stroganoff at once over buttered egg noodles or rice.

Serve over noodles.

To print or download the recipe, click here.

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About Norman Mathews

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Norman Mathews has contributed 175 entries to our website, so far.View entries by Norman Mathews

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
In the end, it effectively celebrates a life of artistic inspiration alongside the giddiness and glory of live theater.”

—Kirkus Review

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by Asher Syed

The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

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BOOK CORRECTION: In my autobiography on page 152, I state that Carolyn Morris died in a motorcycle accident. I learned from her daughter-in-law that though she was severely injured she did not die. She is still living in Rutland, Vermont.

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