Three-Meat Ragù Bolognese
This Three-Meat Ragù Bolognese is a riff on the original idea for Bolognese sauce. In America, we’ve erroneously come to...
Linguine With Melon and Prosciutto
Several years ago, I hesitantly tried a recipe by Marcella Hazan: Tonnarelli al Melone. She got the recipe from a...
Baked Ziti Buongustaio
Baked ziti can be dry and lifeless, or as in this recipe it can be creamy, rich, and bursting with...
Pasta With Lentil Sauce
Pasta with lentil sauce is one of my Sicilian family’s unusual recipes—a dish that I’ve encountered nowhere else, either in...
Nonno’s Unique Italian Meat Sauce
My Sicilian grandfather (Nonno), Ignazio Cangialosi, was an excellent cook. Although he made his living working in a factory foundry,...
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Critical Acclaim for The Wrong Side of the Room
“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
In the end, it effectively celebrates a life of artistic inspiration alongside the giddiness and glory of live theater.”
—Kirkus Review
Read the entire Kirkus Review here.
Readers’ Favorite Review
by Asher Syed
The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.
Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.
Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.
—Midwest Book Review