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Gnocchi With Shrimp and Zucchini

Home FoodGnocchi With Shrimp and Zucchini

Gnocchi With Shrimp and Zucchini

February 24, 2019 Posted by Norman Mathews Food

 

Twenty years ago, my partner and I walked into an attractive, crowded restaurant in Venice, whose name has sadly slipped from memory. We had to wait in quite a long line for a table. As we stood, scurrying waiters darted past us with platters of the most appealing looking dish, which we couldn’t quite identify. It seemed as though everyone in the restaurant was ordering this specialità della casa.

When we were seated, we asked the waiter what the popular dish was, and he explained that it was Gnocchi With Shrimp and Zucchini. Without hesitation, we both ordered this compelling house specialty. The gnocchi were gossamer light, the shrimp succulent, and the zucchini offered a gentle crunch. The cheese sauce that covered the gratinéed dish was silken and redolent with shellfish flavor. Perhaps this entree is a bit unconventional in Italy because many Italians look with scorn upon mixing cheese with seafood.

This was arguably the most memorable meal we had in Italy on this excursion. I made no inquiries at the restaurant as to how the dish was prepared. Nevertheless, I decided on the spot that I would attempt to recreate it when I returned to New York. Though I have no clue as to whether my attempts mirror the procedures of the restaurant, the results were more than a satisfactory imitation.

Quite certain that the gnocchi were not the leaden potato gnocchi of my youth, I searched out alternatives. Gnocchi alla parigina, or Parisian-style, which require a light hand, seemed to be the closest match. The Larousse Gastronomique claims that gnocchi are of Italian and Austro-Hugarian origins. The base for the gnocchi is pâte à choux. What? you say. The same batter that’s used to make éclairs and cream puffs? Yes. In this case though, the mixture is cooked in boiling water, rather than baked.

You begin by boiling milk, butter, salt, and nutmeg. Once at the boiling point, you add all of the flour at once, stirring vigorously with a wooden spoon until the mixture comes away from the bottom and sides of the pan. Then you remove it from the heat, beating in one egg at a time, and finally the grated Parmigiano.

Beating the batter.

Once the mixture is well blended, you place it in a pastry bag, squeezing 1/2-inch pieces into boiling salted water. 

Cutting and boiling the mixture.

Once cooked, the gnocchi are drained on paper towels.

Cooked and drained gnocchi.

I’ve tried cooking the shrimp in various methods—poaching, steaming. In the end, I find that sautéeing them in their shells and then peeling them gives me the tastiest and most satisfying results. The shrimp are easier to peel if they are cooked in the shells, which are then reserved to make a flavorful shellfish stock. This stock, in turn, is essential in making the sauce mornay, which enrobes the dish.

The zucchini are sliced into julienne strips and blanched in salted water for no more than 45 seconds.

Julienned zucchini.

Then they are thoroughly dried on paper towels. In assembling the recipe, you coat the bottom of the baking dish with the Mornay, then artfully arrange the gnocchi, the zucchini, and the shrimp over the sauce.

Arranging the gnocchi for baking.

Finally, you cover the ingredients with the remaining sauce and sprinkle with more grated Parmigiano.

The dish is then baked in a hot oven and gratinéed under a moderate broiler for just a few minutes to give you a golden-brown top.

Serving the gnocchi.

Although somewhat labor intensive, the results are impressive and well worth the effort.

To print or download the recipe, click here.

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Tags: GnocchiGratineed DishLight Parisian-Style GnocchiShrimpVenetian DishZucchini
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About Norman Mathews

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Norman Mathews has contributed 63 entries to our website, so far.View entries by Norman Mathews

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“The book’s second half is fully stocked with accounts of stage shows galore—not to mention impressive name-dropping (Barbra Streisand, Betty Grable, Dorothy Lamour, Gene Kelly). These anecdotes from the theater’s social scene glide alongside vivid imagery from the author’s performances and other successes. The book also has a delightful, chatty sense of humor with moments of wry wit that make it exciting to read.
In the end, it effectively celebrates a life of artistic inspiration alongside the giddiness and glory of live theater.”

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Readers’ Favorite Review
by Asher Syed

The Wrong Side of the Room: A Life in Music Theater by Norman Mathews is an autobiography chronicling the author’s life as he transitions from a confusing and often abusive childhood, born in a sleet of uncertainty (literally, as it turns out). Masked by imagination and written with a humor that most would not be able to apply to such situations, Mathews is able to harness this creativity and hitch it to his own ambitions as a rising star. When an injury threatens to derail an ascent that defies all odds, Mathews is forced to reinvent and reignite himself once more, and does so amid a whole host of personal and professional turmoil, scandal, and the kind of stories that are all the more shocking – and inspiring – because they are actually true.

Norman Mathews delivers a riveting memoir with The Wrong Side of the Room that opens with a contentious genesis and powerfully surges through to its finale. This is the ultimate tale of a man who is knocked down seven times and gets up eight, except in this case our tenacious narrator is struck to the ground far more than that. But he does continue to rise and appears to have carved out a genuine niche for himself until, “I woke up one morning with a strange pain in my back and running down my right leg. In a few days, it got much worse, and I began limping.” With the support of his partner Todd, he buys a Steinway, dives into formal education, and…well, at first that all implodes too. But Mathews is the consummate phoenix and, much like he displays in the writing of this book, skillfully maneuvers the trajectory of his life’s own narrative into a story that we are fortunate enough to have shared in The Wrong Side of the Room.

Impressively candid, exceptionally informative, deftly written, organized and presented, “The Wrong Side of the Room: A Life in Music Theater” is an extraordinary memoir that will have special and particular appeal for anyone with an interest in show business. . .very highly recommended for both community and academic library Contemporary American Biography collections.

—Midwest Book Review

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The Wrong Side of the Room is the Bronze-Medal Winner in the Non-Fiction —Music/Entertainment Category of the Readers’ Favorite Book Competition.

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BOOK CORRECTION: In my autobiography on page 152, I state that Carolyn Morris died in a motorcycle accident. I learned from her daughter-in-law that though she was severely injured she did not die. She is still living in Rutland, Vermont.

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